The Girl who kicked the Hornet's Nest

Lisbeth Salander looks you straight in the eye from the cover of 'The Girl who kicked the Hornet's Nest' - the final chapter of Stieg Larsson's Millennium trilogy and that sums up the book, in a way. The final chapter is Lisbeth's story of redemption and justice for all that she has been through. Interestingly the covers of the three books tell their own story.

At the end of the second part we left Lisbeth having crawled out of her own grave where she was buried with bullet wounds in her shoulder, hip and head. She has just struck her mortal enemy, her father with an axe with an intent to kill and has just survived the attack from her half-brother the massive no-pain feeling giant with a pea brain. What a family! The final chapter picks up there with the murder charges being dropped against Lisbeth but she is now charged with intent to murder while she is increasingly upset that her father has survived. And this is where the intrigue begins.

Stieg Larsson builds an interesting story of drama, suspense and intrigue on a secret organisation within the Swedish Secret Police - The Section - who have conspired against Lisbeth with a psychiatrist so as to save their most valuable asset, the Russian defector Zalachenko. Stieg's intent is very clear in the book and you do know that by the end Lisbeth will walk free but he keeps you engrossed on the path to the obvious end.

This is a book more about Lisbeth's friends and their coming together to save her rather than Lisbeth's own antics and superwoman capabilities that we are used to. It is about the quintessential story of Good forces represented by Lisbeth's well wishers - Mikael Blomkvist and Armansky with some members of the police force, the Constitutional Protection force in Sapo and even the Prime Minister - against the Evil forces of The Section responsible for Zalachenko who have for years ensured that Lisbeth is silenced under the garb of socially incompetent status and hence relegated to the fringe of society and never taken seriously. Will good triumph over evil? Does Blomkvist's sister who agreed to be Lisbeth's attorney have any experience in civil justice cases to save her? Does she know how to?

The book has the undercurrent of how society ignores those who need our help the most, how society is afraid of the people that it does not understand and how society bases its knowledge on the words of a few people who appear to be experts. It is also a story of how corruption has the potential to spoil a person's entire life.

While it makes for great reading and Stieg intelligently introduces characters there are certain parts of the book that are completely redundant and were not needed. Removing them would have no impact on the pace of the book and just tend to end up adding unnecessary pages to an already long book - Erika's section about the Poison Pen, for instance. In that sense Larsson does fail in this book. The interesting bits are well woven but the pace is slower and the intrigue that you expect to be there does not come through completely. The court case is rudimentary and does not come till almost page 442 of the 600 page book and then too finishes pretty fast. One would expect some interesting intrigue and court room drama but that is missing. Stieg also seems to want to close all loop ends and focusses the last part of the book on Lisbeth's life after she wins the case. Frankly the interest level from the reader is low after the case is won and Lisbeth is free. At the end it leaves you wanting more.

The final part is a good story on how Lisbeth gets her due from society and how the system recognises its flaws. How individuals can make the system work for them to the detriment of others. How friends can do so much for you. It is a fitting end to the series.

I rate it 4/5 even though I would have wanted to see some more action, intrigue, drama and Lisbeth in the final part.

The Girl who Played with Fire

In the words of Randy Jackson from American Idol " Yo! Yo! Yo! Listen up y'all. Give it up for Lisbeth Salander". Those are the words that typically come to your mind as you read through the second edition of the Stieg Larsson's Millennium Trilogy - The Girl who played with Fire.

Larsson tries to make this a stand alone book so that readers who have not read the first part can still enjoy the book. He takes his sweet time to re-establish the characters and give them some background. If you've read the first part it takes some patience to get through the first 215 pages of this book. You learn and re-learn some of the characters and get to know what has happened in their lives since the last one - mainly the two important ones, Lisbeth Salander and Mikael Blomkvist. Both have gone their separate ways - Blomkvist with his publishing job & Salander with her millions that she's expertly siphoned off from Wenestrom.

The Girl who Played with Fire is at its core a prequel of who Salander is and why she is the way she is. Sex trade and the illegal smuggling of prostitutes from the erstwhile Russian states to Sweden and beyond forms the basis for the story. Millennium magazine is about to publish the works of the couple Dag Svensson & Mia Johansson. Mia is a doctorate student who has researched and written a thesis on the sex trade. Dag takes the thesis and develops it into a book that he wants Millennium to publish. Dag and Mia's research will clearly expose a whole slew of officials from the Swedish Police force to Security Police to Judges and the lot.

The book takes it regular explosive turn when Dag and Mia are brutally murdered in their apartment. The gun used for the killing is discovered with Lisbeth's fingerprints on it and she becomes the main suspect. But when a few days later the body of her guardian Nils Bjurman is also discovered murdered in a similar manner, Lisbeth Salander becomes the most wanted criminal across Sweden. Its easy to implicate her as well given her history of psychotic illness and documented declaration of incompetence by authorities. The book wanders through the next 150 pages as the police try to locate Lisbeth is what is an open-and-shut case. But we all know how difficult that would be.

When Lisbeth comes to the scene again, the books pace picks up considerably and becomes a page turner. But from here the book does become a bit predictable. Like every crime thriller there is a ghostly figure of a Godfather, in this case a figure called Zala that does not exist in any database but is feared by the sex trade punters and the exploited prostitutes as well. Then there is a 300-pound gorilla who is Zala's feet-on-the-street and who does not feel any pain. Larsson then takes the book on four parallel investigations - Lisbeth, who obviously wants to prove her innocence while running from the authorities; Mikael, who believes that Lisbeth is innocent and wants to find out who murdered his friends; Armansky, Lisbeth's employer who also believes in Lisbeth's innocence and of course the Police who want to apprehend Lisbeth and close the case. What the Police believe is a simple open-and-shut case becomes more and more complex as the investigation proceeds and the truth of Lisbeth emerges.

Larsson's writing is interesting as he moves from one investigation to another and links the story together. Unlike the first book, however, this one takes on a bit of liberty with the characters, especially that of Lisbeth. Larsson's inability seems to be to tie the climax together. If 'The Girl with the Dragon Tattoo' had a climax that seemed to be hastily written, this book's climax almost makes Lisbeth superhuman. She takes a bullet to her shoulder and head, gets buried alive and still comes out to vanquish the villians. It is a bit too much to take and does come as a shocker. One wonders why Larsson needs to go into a super-hero mode for Lisbeth when he has already established her as an intelligent, smart thinking person. Then, of course, is the Star-Wars-Darth Vader-Luke Skywalker takeoff on Lisbeth and Zala.

The second edition does not tie in easily with the first one. Maybe that was the intent to make this a stand alone book while at the same time tenuously connected to the first one. Its a great crime thriller to read even if you haven't read the first one.

I rate it 4/5.

By now Lisbeth Salander is a spunky, small built, intelligent, psychotic, socially incompetent, computer hacker extraordinaire, super human heroine of the series. What is in store for Book 3?

The Girl with the Dragon Tattoo

Rarely do you come across a book - a crime fiction one at that - which you want to read cover to cover in one sitting, not caring if its 1am and you've just got off a drinking session with friends. 'The Girl with the Dragon Tattoo' comes very close to being one such book.

Written by Stieg Larsson, its Part 1 of the Millennium trilogy and unfortunately the only set of books that he wrote before he passed away in 2004. We will never know if he was a writing genius who could have written even more gripping novels and history will judge his author abilities based on just three books.

'The Girl with the Dragon Tattoo' has a good combination of flawed characters that keep you engrossed in the storyline. At its core its a closed-door-kind murder mystery when Henrik Vanger, the aged former CEO of Vanger Corporation invites Mikael Bolmkvist, the recently disgraced libel-losing investigative journalist and publisher of Millennium magazine, to re-investigate the sudden disappearance of his great-niece Harriet Vanger some 40 years earlier when she was 16 from the island where he lives. The only bridge connecting the island to the mainland was closed that day due to an accident. Henrik has been tormented by the fact that he does not know what happened to his favorite niece while at the same time suspecting that one of his family member committed the murder of Harriet. The police investigations have been closed and there is nothing that can be done.

In the first half, parallel to this story runs the story of socially outcast, psychotic but extremely intelligent hacker with a photographic memory - Lisbeth Salander. Lisbeth is legally incompetent and is under the care of guardians instituted by the government. Lisbeth's character is the most exciting character in this book mainly because it is so flawed that you immediately want to protect her while at the same time are extremely scared of her. One episode where she deals with her sexually abusive legal guardian makes your hair stand while you root for her and for the treatment she metes out to him.

The book is slow to pick up as you read the first part of it. Larsson takes his own sweet time to explain all the myriad characters that constitute the Vanger family and there are too many of them. Of course Henrik Vanger does not like any of them and compares them to thieves, robbers and incompetent idiots. The investigation proceeds at a leisurely pace till Lisbeth and Mikael start collaborating. The story explodes at this point and moves at an exciting pace which makes you turn the pages. When a slaughtered cat is left on the doorstep of Mikael and he is shot at, they realise that they may be on the right track to actually solving the mystery after 40 years.

Rest assured while they manage to solve the mystery, the climax of the book is cliched and expected.It does not live up to the expectation of the pace of the book and strangely like a Hindi movie Larsson extends the book with an un-required investigation into the businessman who brought Mikael down in the first place. I found it unnecessary unless this is linked to the second book.

The disturbing part of the book is that it makes you perceive that Swedish men abuse and hurt the women as if its a natural thing to do. The solving of Harriet's disappearance does not leave a sweet taste in your mouth.

'The Girl with the Dragon Tattoo' is slow in the start, fast paced and exciting in the middle with an anti-climax at the end. It does keep you engrossed and I am looking forward to reading the second part of the trilogy.

I rate it 4/5.